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How to Write Dazzling Dialogue: The Fastest Way to Improve Any Manuscript
Ebook How to Write Dazzling Dialogue: The Fastest Way to Improve Any Manuscript
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There is one sure-fire way of improving your novel fast. . .You may know the fundamentals of how to write fiction. You may be more than competent in plot, structure and characters. But if your dialogue is dull it will drag the whole story down.On the other hand, if your dialogue is crisp and full of tension it immediately grabs the reader. And if that reader is an agent or editor, sharp dialogue will give them instant assurance that you know what you're doing as a writer.Writing a bestseller or hot screenplay is no easy task, but dazzling dialogue is an absolute essential if you want to get there. The best part is, the skills of the dialogue craft are easy to understand and put into practice. #1 bestselling writing coach James Scott Bell has put together and expanded upon the dialogue lectures from his popular writing seminars. In How to Write Dazzling Dialogue you'll learn:What fictional dialogue is ... and isn'tThe 11 secrets of crafting memorable dialogueThe 5 essential tasks of dialogue5 ways to improve your dialogue ear4 can't-miss methods to increase conflict and tension in any dialogue exchangeThe top 10 dialogue issues, and how to resolve themYou'll also see dazzling dialogue in action with examples from hit novels and screenplays.Don't sabotage your chances of selling your work to readers or publishers because the dialogue is unexceptional. Dazzle them with what the characters say. How to Write Dazzling Dialogue will give you the tools to do it.
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Product details
Paperback: 136 pages
Publisher: Compendium Press (July 14, 2014)
Language: English
ISBN-10: 0910355142
ISBN-13: 978-0910355148
Product Dimensions:
5.5 x 0.3 x 8.5 inches
Shipping Weight: 8.2 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
389 customer reviews
Amazon Best Sellers Rank:
#25,476 in Books (See Top 100 in Books)
"Succinct, concise and a breeze to read," she said."Really." He didn't sound convinced. "Look, where other books on writing fiction drop the ball on dialogue, this guy not only picks it up, he spins it on one finger. . . and he tells us the same thing." She took a sip of beer and leaned into him. "We need to know our characters." He grimaced. Took another slice of pizza and let the white, oily cheese pull across the plate. "Not that again.""You know it's a juggling act. All the mincing - or not mincing - of words. Making it tense. Or alluding to something." She pulled a piece of crust apart. "Shutting a character up at the right time. It's all in there.""Huh. Well, I'm not there yet. I'm still working on the plot.""You'll get there.""Can I borrow yours?"She swallowed the beer. "Buy your own."
I have two bookshelves of writing craft books. This doesn't include the shelf with my dictionaries, style manuals, thesauri, and grammar books. I've also taken many writing classes. I've made a conscious effort in the past couple of years to not take any more classes, not buy any more books because most of them don't have anything new to teach me.This book is different.It's really a booklet or pamphlet, not a whole book, but it focuses specifically on writing dialogue and goes deeper than most general books. James Scott Bell provides specific techniques for adding tension to dialogue, for avoiding the boring chit-chat while still keeping the essentials of what you want your characters to say. There are several suggestions for exercises you can try to improve the way you write dialogue, some of which were new-to-me. With the number of writing books I've read, I'd assume they would be new to others as well.It does include most of the standard advice for writing dialogue as well, but Bell was smart enough to put this at the back rather than the beginning where it might make the reader assume you were just getting tips you already knew.Most of all, I like the tone of this book. It doesn't present the information as rules you must follow. Instead, it says these are things I've learned about dialogue, things you might want to incorporate in what you do when you write it, but if you want to do something different, that's okay, too. That's very refreshing to see in a writing craft book.
This is the book on writing dialogue that I have been searching for! I just purchased it this morning and have already emailed the link to two writing friends.Bell sums up what makes dialogue dazzling and how to avoid writing dialogue that, while it may get the job done, is flat and boring. He also covers punctuation (a challenging concept for many beginning writers) and my favorite topic: Curving the language.This one is a keeper and I will be referring to it often.
I am writing this from the perspective of a fairly new author.This book had some very useful tips. In particular, I found many good pointers in the chapter talking about how to actually structure dialogue as far as punctuation and attribution goes. Other chapters were not incredibly useful for me. It seemed that the book was aimed towards a certain genre, which is fine, but it was not the genre that I enjoy. That is, the dialogue proposed by the author seemed to fit best in literature and general fiction, and not the science fiction and fantasy that I enjoy reading and writing. I found myself disagreeing with the author at several points about what sounded good and what did not. As with any sort of writing tips, you will need to take the writer's tips with a grain of salt and apply them as they fit your own style rather than seeing them as hard-set rules. With that in mind, this book helped me to iron out many flaws in my dialogue that I noticed but could not quite put my finger on.I give this book four stars because I found much of its content useful while at the same time finding much of the content unimportant or unhelpful. It is a short read, and I would recommend it, especially if you write in the same genre as the author. For science fiction and fantasy writers, I feel that it will be less useful, but I cannot recommend an alternative that is any better.
I’m not impressed. The author uses old books (Gone with the Wind, Maltese Falcon, etc) to teach dialogue. While these books may be great classics, people don’t talk like that anymore. Even if the lesson is good, the reader becomes distracted by the outdated language and struggles to understand Bell’s messages. I am also displeased with the number of movie scripts used as examples. He does a lot of telling with minimal showing. The grammatical guidance is great but I’m fed up with Maltese Falcon examples. I think the overwhelmingly positive reviews are misleading.
The title of this review is facetious, of course, because studying English Literature does add tremendous value to one's appreciation of quality writing and thought. Yet, I don't remember a single one of my professors advocating for a less-is-more approach to the craft of writing. If anything, our deconstructions of the great works were graded on the merits of our ability to be verbose and oft long-winded, which lends little to terse dialogue. Then again, we weren't being taught how to write. At least not well.I realize now, after reading this book (in one sitting) that much of what I had learned in college may have been a hinderance to my writing. I'm going back to some of my dust-covered tales, that were written years ago, and breathing new vitality into my characters using the clever exercises in this text. I'm writing with a sense of adventure again! And that's worth more than what I paid in tuition fees!
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